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Pool

Plays

4.0

Presented by Pool: a pop up theater company

The Plays

An African-American man playing a violin, which represents the essence of Black Bee, a play by Pia Wilson that is a part of Pool Plays 4.0

BLACK BEE​

Pia Wilson

Centered on an African-American violin virtuoso who specializes in Beethoven.

We follow the violinist, Lee Baren, through the loss of his brother Carl and through dealings with his brother's widow as they struggle over how to raise Lee's nephew, Carl Jr. Lee also falls in love with a wealthy entomologist named Beloved. 

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Lee is a complicated man reviewing his life and untangling its meaning before he has to do it all over again.

A poster of a missing woman, which captures the essence of  Vickie Ramirez's play Yuchwahkénh, a part of Pool Plays 4.0

YUCHWAHKÉNH (Bitter)
Vickie Ramirez

Myra's sister Ellie, a fiery activist, goes missing after a fight with her boyfriend, Tyler. When Myra tries to get the police involved, she runs into a wall of racism, misogyny, and victim-blaming.

 

Myra resists the idea that Ellie is a Missing and Murdered Indigenous Person case until the Police make Tyler, Ellie's militant boyfriend the primary suspect.

 

It is then that Bad Mind, the mischievous embodiment of The Creator's brother, intervenes and forces Myra to confront her own complicity, biases, and deep-rooted generational trauma as she exhausts all options searching for Ellie.

A man standing in front of a wall, which is representation of Mona Mansour's new play, what i CAN say, a part of Pool Plays 4.0

what i CAN say

Mona Mansour 

What does the notion of impartiality actually mean?

Who are these press secretaries whose insanely "neutral" demeanors are objects of derision on TikTok?

Are we, the public, getting “the truth” when language is drained of any possible heat?

This absurd & dark two-hander with music will explore those questions, and more. With dark humor and moments of emotional gut punch, we will follow a single speaker (George Abud) whose poise and affect and powers of articulation have landed him a coveted position.

His words will lead us down a twisted rabbit hole of political (dis)engagement, detachment, and brazen honesty.

headshot of African-American playwright Pia Wilson, who is participating in Pool Plays 4.0
headshot of playwright Mona Mansour who is part of Pool Plays 4.0, a pop-up theater company in NYC
headshot for playwright Vickie Ramirez, who is part of Pool Plays 4.0, a pop up theater company in NYC

Pia Wilson

Pia is an accomplished playwright, fiction podcast author, and TV writer. She has been recognized for her talents through numerous grants, fellowships, and residencies. Her plays have been produced by Miles Square Theatre, AD Players, Crossroads Theatre, Workspace Collective, Drew University, Yendor Theatre Company, Adelphi University, Horse Trade Theater Group, and The Fire This Time play festival. She wrote the audio component in the Harriet Tubman Monument performed by Queen Latifah. In television, Pia was a staff writer for NatGeo’s GENIUS ARETHA and BET’s SACRIFICE.

 

  • Selected Works:

    • The Christmas Show Must Go On (Miles Square Theatre, 2024)

    • No-one Owns Me (co-written with Chris Cragin Day, AD Players, 2021)

    • Back to the Real (Crossroads Theatre, 2018)

    • Turning the Glass Around (Workspace Collective, 2014)

    • If I Go Missing The Witches Did It (Realm)

    • Black History for Real (Wondery)

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  • Awards & Recognitions:

    • 2024 Anthem Award for audio component of Harriet Tubman Monument

    • 2024 Johnny Mercer Foundation Writers Grove participant

    • Newark Creative Catalyst grant recipient

    • Newark Arts Community grant recipient

    • 2022 Best Fiction Podcast Webby Award for If I Go Missing The Witches Did It

    • 2015 Sundance fellow

    • 2014 Sarah Verdone Award

The Writers

HOW TO HELP MAKE IT HAPPEN

Each Pool Plays is 100% artist-led. Learn more about our plays by filling out the following form.

Or support us directly by donating today.

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